If your singers are proficient with Curwen hand signs, you can lead them through melodies without notation, entirely a cappella. For advanced groups, try two patterns at once – one for treble singers, the other for changed voices. Eventually, move on to longer sequences, more difficult intervals, and less predictable melodies. Play a three- or four-note melody on the piano and ask singers to sing it back on a neutral syllable such as “la” or “loo.” At first, patterns should be simple (step-wise, outlining a triad, in conservative ranges, and tuneful). try the activity in canon, which requires students to perform one pattern while simultaneously listening to the next echo percussive consonant patterns to reinforce diction skills advance to brief melodies (sung on solfège) to work on pitch invite standout students to lead. There are plenty of creative extensions: throw in some body percussion such finger snaps, foot stomps, thigh pats, tongue clicks, etc. Choose age-appropriate rhythms or (even better) motives selected from your current repertoire. It’s as simple as clapping a rhythm for the class and inviting them to clap the pattern back. Many teachers use this activity for classroom management. Here are ten easy ear-training exercises that will improve the musicianship of choral singers. While time is often tight, and concert schedules tend to dictate priorities, there are countless benefits to incorporating skill-building activities whenever you can. Listen for the chord with the more common context.As a former high school choir director, I recognize both the challenges and rewards of teaching aural skills within the context of large group rehearsals. The augmented triad, by contrast, is not used very often in diatonic music and does not have a commonly-used function. chord vii o in both major and minor keys (and chord ii o in minor keys). The diminished triad is used for very specific harmonic functions in diatonic music, i.e. ![]() No matter which way an augmented triad is inverted, it never contains unequal-sounding intervals. a minor third and an augmented fourth, not necessarily in that order).
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